In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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Decades before Article 15, a certain film delivered a stunning cinematic punch line against oppression. A woman of privilege who lives in the “upper” regions of a fictional city, appears in front of men who have gathered to decide whether a nullah running through the “lower” parts of the city is dirty or not. The […]
After the acclaimed film, Shuruaat Ka Interval, Humaramovie, a cutting-edge digital content studio is now back with their second feature tentatively titled, Shor Se Shuruaat, as part of the initiative Shuruaat, an annual one-of-a-kind mentored short film competition. Shor Se Shuruaat, is an anthology of 8 short films based on a common theme, Shor (Noise), which will be directed by the debutant protégés […]
In the film industry, the transition is not that clear. We have had good cinema, off and on, more dependent on the directors- so Satyajit Ray (who along with masters from Bengal and South India influenced world cinema and not just Indian cinema and was active in years 1955-1991), Guru Dutt (1950s), Raj Kapoor (1950s,60s,70s even […]
Memories are like films. Some fade away and some are revisited again and again. Like my interview with Shama Zaidi. Years later, I can still remember her voice pulsing across a long-distance telephone line. As full of character as her writing. Zaidi’s body of work speaks for itself and she is one of the few authentic […]
This letter was published on the author’s blog a few days ago and subsequently Mr Shyam Benegal has distanced himself from Vedanta..we publish this piece here to inform more readers why it is important to see through Vedanta’s attempt to mislead the masses with its advertising clout. Dear Mr Shyam Benegal Greetings ! I met you first […]
“Iss daur se sabhi ko guzarna padta hai..himmat mat haar bete..shunya nahin zindagi saamne hai tumhare.. insani rakt ek hamesha behne wali Ganga hai..pusht dar pusht woh behti hai..tum jiyoge tabhi hamari jade jiyengi.. marusthal mein apni ma ke cactus ban jao..yaadon se apne ko seecho, maut ka dar kise nahin lagta par iss dar […]
Shyam Benegal’s cinema never loses the plot in trying to project itself as a breakaway, alternate idea. His films never preen and say, “Let me show you something you have never seen before,” even though his cinema in the 70s was quietly, unobtrusively radical both in content and in form. He has always had a social […]