In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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Very rarely does a film become a visual sock in the gut like Pather Panchali or irrevocably changes the way we think of cinema. The images linger. An unloved old woman trapped in her impoverished life, singing a wedding song, longing for human contact, and then one day deciding that she has had enough. She […]
Pandit Ravi Shankar passed away today. Rajinikanth turned 62. Dilip Kumar turned 90 yesterday. Smita Patil passed away almost 26 years ago on December 13. Births, deaths. Years counted, measured, emptied out. filled up. This whole idea of time and that somehow it should be accounted for in terms of achievements, milestones, awards, body of […]
Ray devised an innovative way to work around Apu’s stiffness and awkward gait. Like much of his journey into making the film, this also is a lesson for wannabe filmmakers: “I had learnt a lesson. All my preparations over the years… had finally produced this one shot and it was difficult to imagine anything more […]
Satyajit Ray, as a rule, visited the movies every Saturday afternoon. In this he was accompanied by a handful of like-minded ‘film-buffs’ he met and befriended. One of them was Bansi Chandragupta, who was destined to be Ray’s Art Director [a relationship that went on to collaborate on the most remarkable of Ray’s works upto Pratidwandi/The Adversary […]
Like all great endeavours, the timeless Pather Panchali by the legendary Satyajit Ray faced many obstacles on the way to immortality.Well, how this excellent story by Bibhutibhushan Bannerjee made its way onto the celluloid is an engrossing, fascinating tale in itself. Here goes…. As most of us know, Ray started off as an advertising professional. In June, 1943, he joined D.J. Keymer & Co. as a Junior […]