In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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Onir’s anthology I Am (2010) remains one of the most deeply felt and insightful cinematic statements on Kashmir where Juhi Chawla’s Megha (a Kashmiri Pandit) and Manisha Koirala’s Rubina (a Kashmiri Muslim) connect after twenty years of estrangement amid barbed wires, abandoned, crumbling homes with bullet riddled walls and layers upon layers of anger and […]
When I was a kid I had a favorite TV show, called Jungle Book. It was a time when India and Doordarshan had good shows, even animations or adaptations. Jungle Book was an animation of the celebrated book ( directed by none other that Fumio Kurokawa) and since the book was written in India, perhaps […]
In parts, Vishal Bhardwaj’s Haider replays keynotes from a classic Shakespearean dirge with a sly wink. So we are offered the jovial grave diggers. The skull gnashing in glee. The sinner in a moment of redeeming prayer. The ghost who is not a ghost afterall but is Roohdar..the keeper of another man’s soul and all its agony. […]