In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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Satyajit Ray would have approved (if you disregard the product placements). Shoojit Sarkar goes back to his roots literally and cinematically with Piku, a film about nothing in particular when it trundles, carrying a baggage of eccentricity and family history from Delhi to Kolkata in a taxi. But in retrospect, it is about the little […]
In an age when film makers masquarade as reformers, it is only apt that one remember the flag bearers of the REAL New Wave in Indian Cinema that had its inception in the early 50’s through the mid 70’s. A beacon of this New Wave was Ritwik Ghatak. The Anarchist. The Rebel. The quintessential Bengali […]
The poster for Memories in March read – “separated by memories… united by grief”. For little over 100 minutes of this Sanjoy Nag film, we see reflections of life refracted through the memories of Arati (Dipti Naval) who has lost Sid, her only son in a tragic accident, Sahana (Raima Sen) who was in one-sided love with Sid and a male colleague […]