The wonder years of Basu Chatterjee

In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…

A story of matriarchal manipulation

Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…

The Last Dance: A story of grit

“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…

The pandemic of apathy

In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…

The pyramid of abuse

Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…

The netherworld we live in

In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…

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Author: Amitava Nag

A Boat Wreck

June 7, 2011Written by Amitava Nag

There are broadly two types of contemporary ‘art-house’ Bengali films – a) Period films set in the past b) Films set in the present but the characters and the setting smelling primarily of nostalgia. Most recent Bengali films fall in either of the two categories. 2011 being Noble-laureate litterateur Rabindranath Tagore’s 150th birth year, there has been […]

Cinema/ TV, Feature

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Deep but sluggish

April 18, 2011Written by Amitava Nag

The poster for Memories in March read – “separated by memories… united by grief”. For little over 100 minutes of this Sanjoy Nag film, we see reflections of life refracted through the memories of Arati (Dipti Naval) who has lost Sid, her only son in a tragic accident, Sahana (Raima Sen) who was in one-sided love with Sid and a male colleague […]

Cinema/ TV, Feature

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