There is a scene in Farah Khan’s Happy New Year where Boman Irani takes out a fully iced cake from a bag and says to himself, “I am going to have my cake and eat it too.” Two seconds later his face is buried in the gooey stuff and when he faces the camera, a […]
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Author: Reema Moudgil
How To Tell Your Child About CSA
Entrepreneur and mother Deepa Kumar has issues with the blanket terminology that surrounds the issue of Child Sexual Abuse (CSA). “To start with, I don’t quite agree with the distinction between a ‘good touch’ and a ‘bad touch.’ If there is a touch that a child needs to distinguish as good or bad, we are already in dangerous […]
Looking For Little Miracles
There are many ways to find a spiritual connect with life. You can find it in a concert, in a cinema hall, at a bus stop, at an animal shelter, in a book, in rain falling down on parched earth, in your mother’s cooking, in a phrase painted behind an auto, in a dream, in […]
Why Success Isn’t The Only Answer
Success is so overrated in a world where mere survival is a great gift. Robin Williams’ recent suicide proves once again that just success is not enough to keep us all afloat and yet we celebrate success more than the courage it takes for ordinary people to keep going regardless of the hardships life throws […]
Of Grace And Gravitas
The play Taoos Chaman Ki Myna, was recently staged at AD Rangamandira in Bangalore and it was the culmination of an alchemy between Naiyer Masud, Gillo,Theatre Repertory and Atul Tiwari. The genesis of the play is interesting. For starters, Masud, a Persian and Urdu scholar is along with Manto and Qurratulain Hyder, part of a holy trinity of writers who truly transcend the […]
Naseer: A Romantic Realist
What we learn from Naseeruddin Shah’s autobiography And Then One Day..A Memoir (Penguin Books India/Hamish Hamilton), is what we need to learn. No more, no less. Nothing extravagant about milestones reached, rewards gathered, boxes ticked. Like tempered chocolate or like a quintessential Naseer performance, the writing is perfectly poised between a melting point and gradual, cool normalcy. This celebrity […]
Begum Akhtar: 100 Magical Years
Wo aa rahen hai jo biimaar kii dawaa ke liye Khamosh baithe hain sab chaaraagar duaa ke liye (he is expected to arrive with a cure for my pain..and the healers quietly wait too, with their hands raised in prayer) These lines are from a ghazal Begum Akhtar wrote though few know just what became […]
Haider: Power Without A Punchline
In parts, Vishal Bhardwaj’s Haider replays keynotes from a classic Shakespearean dirge with a sly wink. So we are offered the jovial grave diggers. The skull gnashing in glee. The sinner in a moment of redeeming prayer. The ghost who is not a ghost afterall but is Roohdar..the keeper of another man’s soul and all its agony. […]
Sparsh: When Love Is Not Blind
You can touch the surface of life or live it inside out. You can just see what is visible or sometimes close your eyes and open your mind. And perceive the intangible as well. Few films manage to make you realise the difference between connecting with life and just skimming through it but Sai Paranjpye’s Sparsh did […]
Bang Bang: Light headed Fun
It is hard for directors to treat Hrithik Roshan as ‘normal.’ He is either Jalluddin Mohammed Akbar or Krish or a vaguely challenged Rohit or an ace thief who can be a dwarf, a queen in drag, a superman vrooming to the beat of ‘Dhoom..dhoom‘ or a self-made chawl don spouting Harivansh Rai Bachchan’s Agnipath […]
Taslima Nasrin: 20 Years After Lajja
Taslima Nasrin’s Lajja, one of the most controversial bestsellers in the world has turned twenty. As bibliophiles across the world celebrated the Banned Books Week from September 21-27, Nasrin, an award-winning author of 37 books, memoirist, physician, humanist and human rights activist looked back at the long road she has travelled with Lajja. Across continents, through death […]
Irene Dhar Malik: Editor’s Cut
Filmmaker Onir’s soon to be released film Chauranga taps into the prevalent politics over love and caste. It narrates the story of a 14-year-old Dalit boy in rural India who is killed for writing a love letter. Irene Dhar Malik, Onir’s sister and film editor, is busy with the post-production of the film and took […]