The wonder years of Basu Chatterjee

In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…

A story of matriarchal manipulation

Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…

The Last Dance: A story of grit

“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…

The pandemic of apathy

In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…

The pyramid of abuse

Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…

The netherworld we live in

In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…

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Author: Habiba Insaf

Chitra Ganesh-Dystopic Tales

January 9, 2014Written by Habiba Insaf

Mirror shards, watches, mechanical junk, hardware parts, golden beads, glitter construct a woman’s bust on paper, while from her bosom emerge a series of ethereal red roses-their lightness well contrasted with the heaviness of the robotic women. The nose accessory, forehead bindi and the facial features bespeak a South Asian face. These women are often part goddess-part cyborg; deified […]

Art

Of Myths, Fables And Fantasy

October 13, 2013Written by Habiba Insaf

Curtains part to give entry into the scene of the Last Supper when Christ discloses that one of his twelve apostles will betray him. The scene is characterised by chaos and cacophony, suspension of volume and depth and a severe compression of pictorial space. The figure of Christ looms (picture above: Last Supper. […]

Art

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