LikeThatOnly’s signage befuddles me to start with. It is like..a jaunty scooter developed butterfly wings that turned into a Japanese fan. But then who said dreams should make sense and that is what this young, spirited restaurant in Bangalore’s Whitefield is. A dream sequence right from the whimsical tub with its watering can shower in the lobby, the kettle lights on a wall, the bug shaped seaters scattered around with random precision, the green foliage softening what is essentially a grey shell speaking of urban geometry. The exposed concrete, the smooth gray patinas, the balance between line and form, thought and spirit.

**

And then I see a vision that belongs in a dream as well. I see designer Anshu Arora. Tousled yet strangely sorted, she is wearing something that belongs in this space. Asymmetrical yet coherent. We chat and I look around. There is a colour washed sensibility at play. And a mix of elements that work well together.Just like Anshu who is a designer of whimsical clothes did when she took on the challenge of transforming an empty box into an inviting space.

This is a design space that invites you to explore and find little surprises tucked away in nooks. You don’t just feed your appetite here but your eye, your curiosity. Look closely, a door reveals distressed hues in the gentlest blues. In the middle of an outdoor dining space, there is the welcome intervention of  a water body. There is cage serving as a candle holder. She says, “It is about connections, isn’t it? There is landscaping and concrete. A tub and water. A cage where candles are lit. Nothing is this or that. It all just like that only! ” Aah, the penny drops. The name fits the space too like everything else.

**

Anshu continues,”The space was not meant to be one experience but many. It is meant to evoke memories, transport diners to other spaces and times.” So there are chairs that remind one of Mexican pool side loungers. Cushions that look like leaves. A wall installation has little windows that when looked into carefully, reveal porcelain dolls and convex and concave mirrors. A yellow wall echoes a yellow mirror frame. The colours could liven up a French patio or a Kerala courtyard. There are deep oranges, citrus greens and yellows, pinks but nothing screams. A lounge looks like a lived in Mexican home with furniture you can sink into with a book. In the formal dining space, lights fashioned out of strainers are flecked with metallic flies, a praying mantis and dragonflies that seem to have strayed close to the light source. A few dragonflies serve as chopstick holders too! The lush tropical paintings by Murali Nagapuzha  echo the frangipani tree in the courtyard, the bamboos and the palms and the creepers around

 Accessories include laser cut flowers, oil spoons that serve as candle holders, wine glass printed cushions around the bar (which is crafted out of distressed wood), crafted birds, butterflies, Chennapatna salt and pepper shakers, bronze lotus pads in water bodies, another wall installation that evokes wild red berries and rhapsodical grass and the list goes on.

**

Anshu adds,”Dressing curvy bodies is really what I do. Yet, here was this large indoor-outdoor, concrete, straight lined urban space, with a single frangipani tree in the centre, which had me smitten. Then came the name LikeThatOnly, which provided me with the green signal I needed to be whimsical, playful and even slightly irreverent. So now upturned funnels form the base for a series of suspended foliage lights, giant strainers gently illuminate the metal dragonflies buzzing overhead and keep the grasshoppers from landing on your plate! Designing lights to suit the ambience was truly my favorite part.”
**

She continues,”Rashmi – the landscape artist – provided us with the perfect shade of green plants, invited real butterflies into the space, inspired me to make bar lights that look like  crazy, curly juncus grass and quietly waved her wand to convert the space into a tropical garden. I wrapped all the seats up in some signature ‘small shop’ style to provide for a soft landing. A vintage, French-style chair does not in the strict sense belong in the same space as the ‘memory of a village in the heart of Kerala’ – and yet, in this world, it so does! The beauty of the space is that it allowed me to create different moods. And yet connect the dots with color or form so your eye may travel seamlessly from a living plant to a print on a cushion, which picks up a color from a painting.”

**

  She concludes, “Personally, when I make the effort to get out of my home and drive through the city, I would be delighted to find myself amidst lots of living green, under bits of open sky, surrounded by things of beauty both old and new, some color to uplift the soul, and a little something to amuse the mind. This is what I hope to bring to you.”

And so she did by bringing a scattered dream together. And by weaving a living fabric of happy serendipity and jovial inspiration. And magic happened. Yes, like that only.

 

**

LikeThatOnly

14/31A, Hagadur Road,Whitefield 
Bangalore – 560066 
080 6547 5610 
12:00 noon — 11:30pm

 

*The story was earlier carried in  http://www.betterinteriors.in/

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Reema Moudgil has been writing on art, theatre, cinema, music, gender issues, architecture and more in leading newspapers and magazines since 1994.  Her first novel Perfect Eight ((http://www.flipkart.com/perfect-eight-9380032870/p/itmdf87fpkhszfkb?pid=9789380032870&_l=A0vO9n9FWsBsMJKAKw47rw–&_r=dyRavyz2qKxOF7Yuc )won her an award from the Public Relations Council of India in association with Bangalore University. She also edited Chicken Soup for Indian Woman’s Soul and runs  unboxedwriters.com.  She  writes art catalogues and has scripted a commissioned documentary or two. She has exhibited her paintings in Bangalore and New York,  taught media studies to post graduates and hosts a daily ghazal show Andaz-e-Bayan on Radio Falak (WorldSpace).