In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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In Zoya Akhtar’s Zindagi Na Milegi Dobara, we first see Kalki Koechlin melting away in milky sweetness, pouty and wide-eyed, smiling and dewy with joy next to the man she is going to marry. As jokes are cracked, a toast given and a cloyingly sweet song sung, she looks blissfully happy. Just moments later, she […]
“The film is strictly for adults,” said Aamir Khan in what looked like a mix between a Tata Sky ad and an anti-smoking campaign as the three actors of Delhi Belly teased him about ruining his own reputation. While MBA students are running after him to learn marketing tips, filmwallahs are scratching their heads, trying to figure […]
On the eve of the release of Zoya Akhtar’s second film Zindagi Na Milegi Dobara, I went back to her debut and the clear-sightedness with which she revealed to us, the industry she works and lives in. It was with much relish that she added, little asides to the bonfire of celluloid vanities in Luck By Chance. The self-absorption of star makers. […]