In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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Hindi film music composer Daan Singh passed away of liver complications in Jaipur at the age of 78 on June 18, 2011. He was like a fast-traversing, low intensity meteor that just showed up and sped away very very quickly. You wonder why. During my several visits to Jaipur in the last two years, I did make […]
Just last month, Maqbool Fida Husain was busy giving telecon interviews denying that his most recent painting, posted on the Internet immediately after Mamata Banerjee’s landslide victory in the assembly polls, had anything to do with depicting the TMC supremo as Maa Durga. “I have depicted India, to express that woman power is on the […]
Badal Sircar remained, in many ways, the outsider in Indian theatre. He was a prolific playwright, author of more than 50 plays, and the winner of several awards, including the Sangeet Natak Akademi award and the Padmashri. Ebong Indrajeet (Evam Indrajeet, ‘And Indrajeet’, 1963) and Pagla Ghoda (‘Mad Horse’, 1967) are undisputed classics of the […]