Nikhil Advani’s Katti Batti reminded me of one of his earlier films, Salaam-e-Ishq which had moments of real resonance interspersed with what can be only described as visual white noise. Like that strange scene in a foreign location (London?) where Salman Khan appears with a make-believe baraat to woo Priyanka Chopra. What was that, really? […]
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