The writing in Revolver Rani winks at the seventies and the jargon of hero-centric block-busters so “Police ne tumhe chaaron taraf se gher liya hai ” becomes, “Police ko hamne chaaron taraf se gher liya hai.” The menace of a hero or a villain once conveyed through lines like, “Teja..Tejja..Teja..kaun hai yeh Teja,” turns into, “Alka..Alka..Alka..kaun hai […]
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