In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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A girl in a burkha (Plabita Borthakur in her breakout role as Rihanna) in search of a stairway to heaven and a Led Zeppelin high, wearing her real self like a shade of red on her lips, and then wiping it off to disappear into the dungeon like tailoring shop of her father where at the […]
Telephonic interviews take away the visual texture from a story but you don’t miss it when you talk to theatre, TV and film actor Heeba Shah. She speaks with immense clarity and leaves no awkward pauses for you to fill. Between tackling cinema of multiple genres, doing theatre and moving homes, she performed an Ismat […]
“Javed bhai, hum Dilli haar gaye hain!” (We have lost Delhi), yells Naseeruddin Shah as a violently bitter sepoy in Shyam Benegal’s Junoon (1978). That scene is hard to forget. As is the fact that it was on the sets of Junoon that Shah first met Ismat Chughtai, one of the bravest literary and […]