In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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Note: This is a press release, not an article and the name of the author is only to indicate who uploaded it. rafiki, the Bangalore based theatre group, is doing a run of The Memorandum, as a tribute to playwright Václav Havel. The three shows will play at Ranga Shankara on January 31st, February 1st and 2nd […]
Novelist and short story writer Bhisham Sahni once observed, “A short story is like lodging in a house one night and moving away the next morning, whereas a novel is like coming into a town where you have to bide for months on end. In a short story, every word must have some eloquence, every […]
Have you noticed, how for every point, life offers a counterpoint? As if to remind you that for every ‘this,’ there is a ‘that?’ And for every Delhi Belly, there is The Blue Mug? How absolutely wonderful that on a day when my memory had been reduced to a cuss word and the rumble of someone’s upset stomach, life also […]
Everything becomes a memory one day. Some memories make us and some, we make. Some we edit, some alter us. Life is not just what happens to us but we think happened to us. But nothing is more vivid than the time when we were experiencing the world with untutored eyes, with young senses as […]
In a packed Ranga Shankara auditorium (with producer Nimi Ravindran conscientiously paying auto fares to all those who could not get tickets and had to go home) on a Sunday afternoon, the second last show of Ajay Krishnan’s hit play Butter and Mashed Banana induced tears of laughter. And then some thought. And how is this for a […]
A few years ago, when I met one of India’s youngest and most promising playwrights Ajay Krishnan at the Ranga Shankara cafe, he was sitting casually on a bench, one knee peeking out of torn denims. For a writer and director whose play Butter and Mashed Banana had freshly won a slew of awards, had been short listed […]
The heart of Ranga Shankara is unusually quiet except for the insistent pulse of “Akbar bhai? Arre, lightwale Akbar bhai?” The auditorium is empty in the hours preceding the second show of Dayashankar Ki Diary, a play from the bouquet that Mumbai’s iconic theatre group Ekjute has brought to Bangalore for the first time. Unlike people who go to an auditorium to only watch […]