In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
Read More
Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
Read More
“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
Read More
In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
Read More
Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
Read More
In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
Read More
You are browsing archives for
Working with acclaimed art director Suzanne Caplan Merwanji (whose work in Farhan Akhtar’s film Dil Chahta Hai gave Hindi cinema, a new design template) in the capacity of a photographer, Meenal Agarwal never really thought she would get sucked into the world of creating multi-dimensional cinematic contexts. Contexts where stories can live, breathe and […]
A TV channel has recently been scaling high TRPs with the story of Jodha Akbar. It has a cost-effective set design that uses a few stock locations for every scene and uses wind-blown curtains, outdoor shots, ambient lighting and expensive furnishings to convey opulence. A few years ago, Ashutosh Gowarikar’s film of the same name […]