In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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That scene in K Asif’s Mughal-E-Azam? Where Nigar Sultana stealthily puts on the bejewelled crown of the future queen of Hindustan? Well, you know exactly what was on Bhansali’s mind when Priyanka Chopra tries on her Peshwa’s warrior helmet to preen before a mirror. Like Nigar Sultana’s Bahaar, Priyanka’s Kashi Bai in Bajirao Mastani […]
Nikhil Advani’s Katti Batti reminded me of one of his earlier films, Salaam-e-Ishq which had moments of real resonance interspersed with what can be only described as visual white noise. Like that strange scene in a foreign location (London?) where Salman Khan appears with a make-believe baraat to woo Priyanka Chopra. What was that, really? […]
Why would a woman whose marriage is a painful farce stay with her husband for 30 long years? Perhaps for the joy of chatting up her son on a luxurious sofa in a beautiful home that resembles a Balinese resort and where a leaf falls noiselessly in a pool. She is Neelam (Shefali Shah) and […]
And suddenly Jhansi Ki Rani has become a cinematic trigger. First Subhadra Kumari Chauhan’s poem, “Khoob ladi mardani woh to Jhansi wali Rani thi” about the warrior queen was referenced by Rani Mukherjee’s Mardani (spot the connection?). In Omung Kumar’s Mary Kom, a wizened coach (Sunil Thapa) tells Priyanka Chopra’s Mary that her strength has […]
Love. Is it about looking for something or someone ‘whole’ and perfect out there? Or welcoming imperfection in people, situations because they mirror our lacks and maybe it is only the broken pieces of one soul that can fit into the gaps of another? Jane Fonda once wrote, “Life is not about perfection but completion.” […]
Though it was a night of glitz, glamor, and chutzpah crowded by the who’s who of filmdom, the underdogs clambered up the throne of entertainment at the recently concluded Filmfare Awards. And the biggies humbly accepted their defeat and made way for the path-breakers. Vidya Balan, who played a sex-bomb in a no-holds-barred performance in the Dirty […]
“Heere jo lagte hain woh mumkin hai angaare ho. Chingari lagte hai jo ho sakta hai taare ho,” husks Usha Uthup in Don 2 and the gold dusted line reminds you why Javed Akhtar was the other half of a legendary dialogue writing team that had understood to perfection, when to pull punches, when to […]
A story about the black widow of six dysfunctional husbands could have been filmed like a grisly chapter out of Manohar Kahaniyan or a blood and gore spill in a Ramsay horror film. And yet in Vishal Bhardwaj’s Saat Khoon Maaf, you find startling strands of brilliance like,”Zyada kabhi zyada nahin hota..hamesha kam hi hota hai..aur jo kam mein jeena […]