In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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In June last year, artist Milind Nayak was admitted to a hospital and till some time ago was going through dialysis.The new year he thought was a good time to leave behind the pain and start afresh. He then set about sifting through the last 15 years of his artistic and personal journey and chose 122 works that […]
Sometime last month, artist Milind Nayak was admitted in a hospital for blood infection and dangerously high creatinine levels. “I almost reached the pearly gates but the doctors pulled me back,” he says. Milind went through dialysis and was not even conscious of all the medical procedures done to bring him back from the brink […]
Artist Milind Nayak’s relationship with colour is mercurial. Colours is his hands are shadows and sunlight, tangled branches of mystery and the profusion of spring. Whether he is using pastels, mixed media or even water colours, his colours are not self effacing. They proclaim the joy of life, of existence, theirs and ours. They […]
So the palette knife has grown still. The furiously alive colours have been distilled into a meditative stillness. The chattering energy has found its centre. The need to react to stimuli has been replaced by the need to witness the ebb and flow of life and to observe the sunlight trickling from a web of leaves to meld into a […]