Sometime in the 90s, a film impacted Indian television almost irrevocably. Sooraj Barjatya’s Hum Aapke Hain Kaun with its success, established a certain formulaic, almost slavish dependence on certain images, ideas and belief systems. Sweeping, glinting staircases in homes that were more Plaster-of-Paris than brick and mortar and characters that were more cliched […]
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