In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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Can architecture have a gender? A feminine perspective maybe? Especially if it is a Zaha Hadid building? Frozen like a giant wave between the earth and the sky? Immovable but fluid? Like time made visible with its many flowing curves and pauses? The geometry in Hadid’s work demonstrates that the source of creation has no gender. A creative impulse […]
In the light of what is going on in India and several other regions of the world, I believe that calling Che Guevara lucky, is at least technically correct, if not entirely justifiable. It does not intend to belittle the tireless courage, leadership and passion for assuring equality for ALL men, that the […]
After a human tragedy, the debri is cleared, remains of lives gathered and mourned and then every year, we revisit in our mind, the Ground Zero of grief and loss and try to make sense of it. Tragedies where innocent lives are lost cannot be contextualised and justified. But yes, some tragedies are better documented […]
“There are different forms of war everywhere… War zones of a different sort where we are often the banal and apathetic audience.”