In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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I remember coming across a billboard during one of my road trips which had “Sex,” in big bold letters, written all over it. However, the sentence that followed read, “Now, that we have your attention, let us remind you about the polio drive!” Clearly, the advertiser knew that the S word would guarantee a lot […]
“The film is strictly for adults,” said Aamir Khan in what looked like a mix between a Tata Sky ad and an anti-smoking campaign as the three actors of Delhi Belly teased him about ruining his own reputation. While MBA students are running after him to learn marketing tips, filmwallahs are scratching their heads, trying to figure […]
Just when you thought, the past was dead, it comes alive in the opening scene of Delhi Belly. A plane lands and we see a man striding to the tune of an RD Burman track from Hum Kissi Se Kam Nahin. We remember the way we were once. But then the man walking to the groovy beat turns out to be not […]
It began with Emosanal Attyachar. When I watched Dev D a few years ago, I felt as if my insides had been churned and that Sarat Chandra Chatterjee had died once again. There was nothing wrong cinematically with the film. The first half was visceral and brutally honest about the messy, inner universe of love. The lust, the anger, the impulsive severings that […]