In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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The most interesting thing about Imtiaz Ali’s Jab Harry Met Sejal is Shah Rukh Khan and the reimagining of Raj, the lover who knew he could not fail at life or love. The film shows us what would have happened if Raj had lost Simran after that fateful train journey through Europe and shrunk into […]
In a country where a mother of three babies is a five-time World Amateur Boxing champion, has represented India at the Olympics and won a medal, we recently had the director of Sultan defending his decision to show a pregnant wrestler meekly giving up her Olympic dreams while her husband hops from one international success to another. Because, […]
Rebecca Ferguson in a gold gown, climbing towards a precarious vantage point so that she can disrupt an opera with a stray bullet. Yes, the camera lingers on those sculpted legs, the sinewy shoulders but it is to drive home the fact that this woman is liquid steel. When someone calls Tom Cruise the manifestation […]
Why would a woman whose marriage is a painful farce stay with her husband for 30 long years? Perhaps for the joy of chatting up her son on a luxurious sofa in a beautiful home that resembles a Balinese resort and where a leaf falls noiselessly in a pool. She is Neelam (Shefali Shah) and […]
The closest we came to hearing jazz in a Hindi film in the ‘70s, was when Amitabh Bachchan’s dock-worker turned underworld apprentice Vijay, smoked away his foreboding in a bar; and Parveen Babi in a red gown slithered close to him with ‘I am falling in love with stranger’ playing in the background. The film […]
Cinema in the hands of Sohrab Modi, K Asif, Mehboob Khan, Kamal Amrohi and Salim Javed was pure verbosity and dialogue driven bravado. Gulzar, Rajinder Singh Bedi, Rahi Masoom Reza, Sai Paranjpay, Manu Bhandhari and Basu Chatterjee made cinema less confrontational and more conversational. Now cinema is driven by images and emotion that is […]
Director Navdeep Singh’s journey through the Hindi filmscape has been a bit like the perilous road trip in his latest film NH10. He uses words like ‘crash’ and ‘burn’ to describe the years that followed his first film Manorama Six Feet Under (2007). This moody and atmospheric interpretation of Polanski’s Chinatown won critical acclaim […]
There is very little talk in Navdeep Singh’s NH10 but there is one chilling conversation summing up the heart of the darkness that India loses itself in ever so often. A cop is talking to Anushka Sharma’s Meera, almost as if, she, an urban woman, is an alien who must be educated about the laws […]
Perspective. That sets what we see apart from what really exists. Like the blind-folded men who touched different parts of an elephant and proclaimed that a trunk was the whole elephant or perhaps the tail was, we see the world in our likeness. When in reality, as Rajkumar Hirani’s PK reminds a religious absolutist, “You […]
There was a bit of Yash Chopra in every one of his heroes. Like some of them he believed in an ever-after. In the integrity of emotion. Whether that emotion was hate etched like a tattoo on a wrist or anger over the betrayal of a father. Or lost love that a poet mourned […]