Anirban Dhar or Onir, as we know him now, makes disconcerting films that disturb the equanimity with which Hindi cinema is watched. They ask questions not all of us are willing to face or answer. The abiding sense of isolation running through his work is not romantic or self-indulgent. It instead takes us into the heart and mind of an ostracised AIDS patient in My Brother Nikhil… This was a film that […]
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