Looking for life affirming movies to watch? Here are a few. Ali (On Netflix), directed by Michael Mann is long and meandering but it has important things to say about race, power and how one man with the intention to not comply can challenge the majoritarian narrative about patriotism. Especially when the notion of patriotism […]
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Author: Reema Moudgil
Remembering Satish Gujral
*A tribute to artist Satish Gujral who passed away on March 27 Much before I started writing about art and architecture, I read about Satish Gujral. And as a teenager, craned my neck from the window of a taxi to catch a glimpse of the glorious Belgian embassy he had designed in Delhi. Something about […]
The end of the anti-establishment rebel?
When an actor who built his career playing the poster boy of anti-establishment resistance tweets fake news about how “bacterial energies” during amavas can be dissipated by clapping and shankh naad, you realise once again that opportunistic artists always sell what is in demand. They know the season of discontent and dissent is over and […]
Looking back at Ghayal
Ghayal was the mainstream version of protest cinema in 1990. This was a time when we looked not at each other to find fault but at flawed governance. A time when it was heroic to stand up to authority and brutal policing, to the nexus between judiciary, police, politics and big money, to fight for […]
Plagiarised feminism
“Kajol stuns in a royal blue wrap dress as she posts a boomerang of herself swirling and pouting.” This is a Republic World report about the success party of a film about rape. Other media outlets are busy telling us who came to celebrate this film that has also been accused of plagiarism by Abhishek […]
Guilty: The Indian take on 13 Reasons Why
Ruchi Narayan’s Guilty, (now streaming on Netflix) is more or less, a 119 minute summation of the core premise of 13 Reasons Why. With a few exceptions made for the post Me Too furore in the Indian context. This is a quick and accurate articulation of rape culture where the final act is just […]
The reinvention of Akshay Kumar
*This piece was written on March 3 The shift towards a more lucrative ideological stand began with Baby for Akshay Kumar. Or perhaps the seeds of opportunism were always there. After all, here is a hero who went from a rebellious lover boy in his debut film Saugandh to a super human khiladi to an […]
Lisa Ray: A memoir of hope
Lisa Ray’s memoir Close to the Bone reads like a sumptuous literary work. It is an important story about isolation rooted in the lack of self worth, about the journey into the heart of darkness, death, bruising relationships and recovery. She is unfailingly kind to the people she writes about and brutally honest about her […]
The need to demystify male violence
Films made on women acting out their anger don’t do as well as men losing it spectacularly. The recent critical and commercial success of Joker proves once again that empathy is a mercurial element and reacts differently to stories of men and women. Female victims of extreme violence are seldom as well-known as their killers […]
How did we get here?
*This piece was written on February 16, 2020 The latest footage of policemen in combat gear storming the Jamia Millia Islamia library on December 15, 2019 sums up the nature of the beast. This domesticated beast is India’s law and order machinery and is unleashed strategically by the powerful to settle scores and by and […]
When patriotism is not transactional or hateful
*This post was written on January 19, 2020 Unlike the Germany of the thirties, there seems to be no need of a propaganda minister in India to steer entertainment towards exclusionary nationalism. Hindi cinema seems to be doing very well on its own in that department. Many film makers and actors have been busy playing […]
We still define destiny by anatomy
A friend once shared how her daughter was stopped by a teacher in her school and told , “Your breasts are too big for you to walk like that.” She went on to develop an apologetic, stooping posture for life. Shame is coded in the DNA of a young girl. And docility is force fed. […]