In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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There is a scene in Farah Khan’s Happy New Year where Boman Irani takes out a fully iced cake from a bag and says to himself, “I am going to have my cake and eat it too.” Two seconds later his face is buried in the gooey stuff and when he faces the camera, a […]
Ramesh Sippy’s cinema. Hema Malini’s Geeta grinning with happy malice atop a ceiling fan. Sanjeev Kumar shooting at the handcuff linking Jai and Veeru during a train robbery. Shakaal grimacing in a surreal den. Dum Maro Dum‘s opening credits recall some of these moments and the one thing you understand as the film unfolds is this. That some of the biggest hits in […]