In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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Actor-director Rajat Kapoor contradicts the cliches of fame without saying a word.The three time National Award winner’s body of work speaks for him and also for his need to create content that does not necessarily conform to commercial stipulations. It is easy to see why in a star-driven business, it would be tough for an independent […]
Watching Shakun Batra’s Kapoor & Sons (Since 1921) is like reading a book you are slowly but surely falling in love with. A book that you read curled up in a window seat on a rainy day, with a cup of tea by your side, hoping that the story will never end because it makes you taste […]
When an institution produces artistes who are going to possibly shape the way we perceive the world, it must have inspirational administrators and teachers. The enormity of the influence an enlightened guide can have on a student can be seen in the way former FTII (Film and Television Institute) students talk about mentors like Kumar […]
Working with acclaimed art director Suzanne Caplan Merwanji (whose work in Farhan Akhtar’s film Dil Chahta Hai gave Hindi cinema, a new design template) in the capacity of a photographer, Meenal Agarwal never really thought she would get sucked into the world of creating multi-dimensional cinematic contexts. Contexts where stories can live, breathe and […]
It is the season of awards in the Hindi film industry and it isn’t often that small films get their own share of confetti and applause on podiums reserved for glistening blockbusters. But director and actor Rajat Kapoor and the Ankhon Dekhi team were taken by surprise when their little film with a big […]
BANGALORE: Is Hamlet you and me and everyone in between? Is he, denuded of his geography and history, just someone torn between his possibilities and his realities? Aren’t we all? Is he a man of suppressed humour, someone craving to laugh at the injustice of it all, aching to discard the accoutrements of […]
After performing Piya Behrupiya to a fabulous response from press and public at the recently concluded Rangashankara Festival, The Company Theatre is back with “NOTHING LIKE LEAR”. This is a devised theatre performance based on Shakespeare’s King Lear, is directed by Rajat Kapoor and performed alternately by Atul Kumar and Vinay Pathak. For any information..contact […]
In Zoya Akhtar’s Zindagi Na Milegi Dobara, we first see Kalki Koechlin melting away in milky sweetness, pouty and wide-eyed, smiling and dewy with joy next to the man she is going to marry. As jokes are cracked, a toast given and a cloyingly sweet song sung, she looks blissfully happy. Just moments later, she […]
Rajat Kapoor is not made for water-tight definitions. So yes, he acts in films and writes them and directs them too but then there is a theatre and the fact he acts on stage and yes, directs too. The one common thread in all pursuits is the need to tweak, deviate, be new, be alive […]
When a play has been declared ‘Housefull’ two weeks before it is being staged, you know its fame has preceded it. I would not have got to watch Atul Kumar’s The Blue Mug either (The last ticketed show is today at Delhi’s Kamani Auditorium), if it had not been for the intervention of a common friend […]
There is a moment in Dil Chahta Hai when in a festive sangeet crackling with sudden hostility, Rajat Kapoor rises and stands next to Aamir Khan. His nervousness masked by the way he touches his nose fleetingly. But you know instantly whose side he is on and you remember that moment. Just as you remember the scene in Monsoon Wedding […]
Have you noticed, how for every point, life offers a counterpoint? As if to remind you that for every ‘this,’ there is a ‘that?’ And for every Delhi Belly, there is The Blue Mug? How absolutely wonderful that on a day when my memory had been reduced to a cuss word and the rumble of someone’s upset stomach, life also […]