In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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It is a bit surreal to hear Kunal Karan Kapoor telling you over the phone, “I have just come home. Let me order some food and I will call you back.” This is an interview that has been in the works for some time and today somehow, after a delay for which he has not stopped apologising profusely, things […]
The Indian film industry is one of the largest in the world, and Indian cinema is unmatched in its variety. Tracing the history of Indian cinema through the traditional methods is not tedious – it is too gargantuan a task. This is just an attempt to revisit the Indian film history, and look at various […]
Acclaimed cinematographer and film maker Thomas Michael Cowan is a man of truth. Of that moment when stiff pretences and masks are peeled off and the real person emerges. So he pays a sudden compliment. Caught off-guard, I react and he amusedly observes, “See? I get a smile!” It is a game he plays often with the film narratives he directs. […]
Ashish Vidyarthi does not like the easy way out, either in life or his work. A few weeks back, in Bangalore’s hallowed Ranga Shankara auditorium, he was pacing the stage restlessly before his solo performance in Nadira Babbar’s acclaimed Dayashankar Ki Diary. When asked for an interview, he was unwilling at first and understandably so because I had not seen the play […]