In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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In 1987, Roopkuvarba Kanwar, a Rajput woman was celebrated by a huge number of people in her community for committing Sati at Deorala village of Sikar district in Rajasthan. She was just 18 and had been married for just eight months to one Maal Singh Shekhawat. Thousands of people watched her immolation into a heap of […]
We celebrate Rajesh Khanna with 20 of his most memorable songs that sum up his charisma, his magic, his unsung range and his indelible impact on the vocabulary of cinematic romance. This is by no means a definitive list (and is in no particular order) or the most comprehensive but tries to capture some moments […]
My first memory of Rajesh Khanna is the song, “Accha Toh Hum Chalte Hain (Aan Milo Sajna, 1970) and of me sighing exaggeratedly like he did in the song. And of listening to his songs from Mere Jeevan Sathi (1972) in an Assamese cantonment and trying to sing, “Mera Naam Hai Shabnam” (Kati Patang 1970) and then […]