In 1979, Basu Chatterjee made Baaton Baaton Mein and unobtrusively brought to us the dating and courtship rituals of a community that was till then either caricatured or just overlooked in Hindi cinema. Nancy Perreira and Tony Braganza…
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Matriarchal manipulation in a patriarchal world is depicted unsparingly in Usha Priyamwada’s Pachpan Khambe Laal Deewarein (Now playing on Prasar Bharti). The mother resentful of her lecturer daughter’s comfortable life in her college residence because the younger daughters…
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“Start with hope..always start with hope. We went from being a shitty team to become one of the biggest dynasties in the sport and all it needed was one match to light this fire,” says Michael Jordan at…
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In 1947, my grandparents brought three children and the remains of an uprooted life from Pakistan to India in a train. One of those children was my mother. I grew up hearing a lot of stories about the…
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Three documentaries streaming right now show the ultimate culmination of the Bois Locker Room culture. And what happens when one gender is taught to mistrust its instincts of self-preservation and the other does not even learn something as…
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In Sudip Sharma’s Paatal Lok (Now streaming on Amazon. Co written by Sharma, Sagar Haveli, Hardik Mehta and Gunjit Chopra. Directed by Avinash Arun and Prosit Roy), India’s disowned inhabit the headlines we turn away from. A young…
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Soon after the completion of this year’s sleeper hit Masaan, actor Richa Chaddha told Vicky Kaushal and Shweta Tripathi, “Say bye bye to anonymity.” Prophetic words in retrospect and Shweta relearns their truth everytime she wants to retreat to anonymity. She smiles, “This is an industry where appearance matters and there is no denying that. It’s […]
The closest we came to hearing jazz in a Hindi film in the ‘70s, was when Amitabh Bachchan’s dock-worker turned underworld apprentice Vijay, smoked away his foreboding in a bar; and Parveen Babi in a red gown slithered close to him with ‘I am falling in love with stranger’ playing in the background. The film […]
We recall Black Friday, perhaps the most perfect film in Anurag Kashyap’s oeuvre, timeless and relevant still because of what it says and the righteous rage it exhibits against the failures that allow intolerance to thrive. There is a 12-minute chase scene in the first half of Black Friday between a few police men and a […]
It is hard to say if Anurag Kashyap Inc is intentionally subverting the vocabulary of romance in Hindi films but there is no deference towards it, either. So the sepia memory of Dev Anand running across glades and slopes under an open sky to the tune of Khoya Khoya Chand becomes a remix in Bejoy Nambiar’s Shaitan. The […]
In the 1950s, Ralph Ellison wrote a novel called Invisible Man about the existential invisibility of African Americans and how the ‘other half’ simply did not see them. Their stories did not matter because no one acknowledged them as real. Among many other unforgettable lines, were these, “I am invisible, simply because people refuse to see me. You often doubt if you really […]