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<channel>
	<title>Unboxed Writers</title>
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	<link>http://unboxedwriters.com</link>
	<description>We Write Stories. We Tell Stories. We Sell Stories.</description>
	<lastBuildDate>Sun, 16 Jun 2013 08:14:51 +0000</lastBuildDate>
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		<item>
		<title>Always..</title>
		<link>http://unboxedwriters.com/2013/06/always/</link>
		<comments>http://unboxedwriters.com/2013/06/always/#comments</comments>
		<pubDate>Sun, 16 Jun 2013 08:14:51 +0000</pubDate>
		<dc:creator>Reema Moudgil</dc:creator>
				<category><![CDATA[Freefalling]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[longing]]></category>
		<category><![CDATA[memories]]></category>
		<category><![CDATA[nostalgia]]></category>

		<guid isPermaLink="false">http://unboxedwriters.com/?p=22974</guid>
		<description><![CDATA[Hard to tell if memory inhabits me or I inhabit memories ** of magazines lining my mothers tin trunks smelling of the 70s and recipes of apple fritters songs on radio a window seat that opened to dreamscapes painting themselves in my head life that went on flowing unabated through everything .. memories of homes [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://unboxedwriters.com/wp-content/uploads/2013/06/534094_10200994609496223_242456241_n.jpg"><img class="aligncenter size-full wp-image-22976" alt="534094_10200994609496223_242456241_n" src="http://unboxedwriters.com/wp-content/uploads/2013/06/534094_10200994609496223_242456241_n.jpg" width="206" height="266" /></a></p>
<p>Hard to tell</p>
<p>if memory inhabits me</p>
<div>or I inhabit memories</div>
<div>**</div>
<div>of magazines lining my mothers tin trunks</div>
<div>smelling of the 70s</div>
<div>and recipes of apple fritters</div>
<div>songs on radio</div>
<div>a window seat that opened</div>
<div>to dreamscapes</div>
<div>painting themselves in my head</div>
<div>life that went on flowing unabated through</div>
<div>everything</div>
<div>..</div>
<div></div>
<div>memories</div>
<div>of homes that smelled of childhood and bowls of fruit cream</div>
<div>of open windows</div>
<div>and fresh linen</div>
<div>and innocence</div>
<div>and people long gone</div>
<div>**</div>
<div>Maybe nothing ever goes</div>
<div>nothing ever stays</div>
<div>but lingers in that</div>
<div>space between absence and presence</div>
<div>**</div>
<div>and breathes</div>
<div>with us</div>
<div>till we stop breathing</div>
<div></div>
<div><em>**Art by author</em></div>
<div></div>
<div>**</div>
<div><strong>Reema Moudgil has been writing for magazines and newspapers on art, cinema, issues, architecture and more since 1994, is an RJ, hosts a daily Ghazal show, runs unboxed writers, is the editor of Chicken Soup for The Indian Woman’s soul, the author of Perfect Eight (<a href="http://www.flipkart.com/perfect-eight-9380032870/p/itmdf87fpkhszfkb?pid=9789380032870&amp;_l=A0vO9n9FWsBsMJKAKw47rw--&amp;_r=dyRavyz2qKxOF7YucnhfXw--&amp;ref=4fe1efd1-de20-4a30-8eb8-ef81a99cb01f" target="_blank">http://www.flipkart.com/perfect-eight-9380032870/p/itmdf87fpkhszfkb?pid=9789380032870&amp;_l=A0vO9n9FWsBsMJKA</a></strong></div>
<div class="betterrelated"><p><strong>If you like this, you might also like:</strong></p>
<ol><li> <a href="http://unboxedwriters.com/2013/05/again/" title="Permanent link to Again..">Again..</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/09/maybe-it-is/" title="Permanent link to Maybe It Is..">Maybe It Is..</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/09/almost-a-thought/" title="Permanent link to Almost A Thought..">Almost A Thought..</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/10/you/" title="Permanent link to You?">You?</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/10/it-really-isnt/" title="Permanent link to It Really Isn&#8217;t..">It Really Isn&#8217;t..</a>  </li>
</ol></div>]]></content:encoded>
			<wfw:commentRss>http://unboxedwriters.com/2013/06/always/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Lingering..</title>
		<link>http://unboxedwriters.com/2013/06/lingering/</link>
		<comments>http://unboxedwriters.com/2013/06/lingering/#comments</comments>
		<pubDate>Sun, 16 Jun 2013 07:39:38 +0000</pubDate>
		<dc:creator>Mona Ambegaonkar</dc:creator>
				<category><![CDATA[Freefalling]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[apology]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[rain]]></category>
		<category><![CDATA[smile]]></category>

		<guid isPermaLink="false">http://unboxedwriters.com/?p=22969</guid>
		<description><![CDATA[&#160; Soft soft was her advent today Her touch so gentle, almost Apologetic. She smiled through The sun&#8217;s rays, lifting curtains Quietly. The lingering spray, Cleared up the mental mist Of confusion and tiredness. I danced to work &#8211; the last Few Days are yet to be lived In this unexplored person&#8217;s Skin &#8211; scenes [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://unboxedwriters.com/wp-content/uploads/2013/06/download-11.jpg"><img class="aligncenter size-full wp-image-22971" alt="download (1)" src="http://unboxedwriters.com/wp-content/uploads/2013/06/download-11.jpg" width="259" height="194" /></a></p>
<p>&nbsp;</p>
<p>Soft soft was her advent today<br />
Her touch so gentle, almost<br />
Apologetic. She smiled through<br />
The sun&#8217;s rays, lifting curtains<br />
Quietly. The lingering spray,<br />
Cleared up the mental mist<br />
Of confusion and tiredness.<br />
I danced to work &#8211; the last<br />
Few Days are yet to be lived<br />
In this unexplored person&#8217;s<br />
Skin &#8211; scenes to shoot,<br />
Words to make mine, words<br />
That belong to this stranger&#8217;s<br />
Tongue but are sounded by<br />
Mine. Another role may not be<br />
Waiting but this one &#8211; she is still mine.</p>
<p>&nbsp;</p>
<p><strong>Mona Ambegaonkar accidentally strayed into the entertainment industry and has been a model, editor, documentary producer and director, writer and award winning actor in theatre, TV and films. She is now working towards writing and directing her own films and is acting in TV soaps and films as well. She has devoted her time in watching life, hers and other people’s, has always taken at face value whatever she is told and has always asked and answered direct questions. From this springs the fodder that enriches all her work both on and off the screen. Recently, she has been touring the world with Ek Madhav Baug,  a play about alternate sexuality.</strong></p>
<p><strong> </strong></p>
<div class="betterrelated"><p><strong>If you like this, you might also like:</strong></p>
<ol><li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-3/" title="Permanent link to Monsoon In Mumbai-3">Monsoon In Mumbai-3</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-2/" title="Permanent link to Monsoon In Mumbai-2">Monsoon In Mumbai-2</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-1/" title="Permanent link to Monsoon In Mumbai: 1">Monsoon In Mumbai: 1</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-4/" title="Permanent link to Monsoon In Mumbai-4">Monsoon In Mumbai-4</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/09/a-short-visit/" title="Permanent link to A Short Visit..">A Short Visit..</a>  </li>
</ol></div>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>My Father: The Pathbreaker</title>
		<link>http://unboxedwriters.com/2013/06/my-father-the-pathbreaker/</link>
		<comments>http://unboxedwriters.com/2013/06/my-father-the-pathbreaker/#comments</comments>
		<pubDate>Sun, 16 Jun 2013 07:20:08 +0000</pubDate>
		<dc:creator>Mukta Srinivas</dc:creator>
				<category><![CDATA[Freefalling]]></category>
		<category><![CDATA[father]]></category>
		<category><![CDATA[Father's Day]]></category>
		<category><![CDATA[hero]]></category>
		<category><![CDATA[visionary]]></category>

		<guid isPermaLink="false">http://unboxedwriters.com/?p=22912</guid>
		<description><![CDATA[This is an inspiring story set in the 1940s- a story of grit, determination, service and great entrepreneurship. Orphaned at the tender age of two, Narasimha had seen it all. Hunger, poverty, insecurity, and above all helplessness in various situations. He was sheltered by his poor aunt and uncle. Having faced a variety of hardships, [...]]]></description>
				<content:encoded><![CDATA[<p dir="ltr" style="text-align: center"><a href="http://unboxedwriters.com/wp-content/uploads/2013/06/download1.jpg"><img class="aligncenter size-full wp-image-22962" alt="download" src="http://unboxedwriters.com/wp-content/uploads/2013/06/download1.jpg" width="225" height="225" /></a></p>
<p dir="ltr" style="text-align: center">
<p dir="ltr" style="text-align: left">This is an inspiring story set in the 1940s- a story of grit, determination, service and great entrepreneurship.</p>
<p dir="ltr" style="text-align: left">Orphaned at the tender age of two, Narasimha had seen it all. Hunger, poverty, insecurity, and above all helplessness in various situations. He was sheltered by his poor aunt and uncle. Having faced a variety of hardships, there was no bitterness. A strong desire to serve the needy was burning in young Narasimha’s heart.</p>
<p dir="ltr">The old couple desired that Narasimha take them on a pilgrimage.Those were the times when there were  no organised tours and communication facilities. With a meagre budget and no guidance, Narasimha set out from Bangalore, changing buses and trains with the old and ailing couple. It was not at all easy. At last when they reached Badrinath, he found a <em>dharmashala</em> and found a place to keep their belongings. He cleaned that part of the floor and facilitated the old couple to stretch and rest, while he set out to fetch things to cook. To his dismay he found out that the language was a big barrier. He somehow managed to get fire wood, rice and <em>daal.</em> By the time he cooked and was ready to serve the food, a big group of people entered the <em>dharmashala</em> and occupied the place by literally pushing the belongings, food, and the old couple to a corner. Narasimha had to repeat the entire exercise of finding another place and cooking. All this after a long and tiring journey, on an almost empty stomach!</p>
<p dir="ltr">It took months for the satisfactory completion of the pilgrimage.Everywhere he saw pilgrims struggling with the problems of language, culture, food and accommodation.  He made up his mind that he would organise tours and pilgrimages in particular, where any one- helpless, needy, poor, old, ailing could complete their pilgrimage in comfort.</p>
<p dir="ltr">It needed lot of planning, networking and hard work. He traversed the length and breadth of India to study the existing facilities,cultures ,languages and modes of transport. He meticulously studied and finalised  the routes, accommodation,diet,medical facilities and more.</p>
<p dir="ltr">His passion,selfless service and great spirit  helped innumerable old parents, widows and disabled people to enjoy the benefits of travel to religious places.</p>
<p dir="ltr">This man was my father G.A.Narasimha Murthy who pioneered organised travel to spiritual places and his vision kept expanding.  He had a great respect for the farming community and believed they were  the spine of  green India and they must have the facilities to see the  developing India. He helped them to travel to different successful agriculture belts of India and introduce them to new techniques, fellow farmers in other parts of the country.  He orchestrated Kisan Special trains. And even arranged for them to have a personal audience with the then prime minister Pandit Jawahar Lal Nehru and President Rajendra Prasad and many others.</p>
<p dir="ltr">He instilled pride in our farmers by making them present Mysore jasmine garlands,the tiptur coconuts and so on to the dignitaries visiting their State. He made it possible for them to witness the proceedings of the Parliament and feel like equal participants in democracy.</p>
<p dir="ltr">He proved to the world that entrepreneurship need not be just profit oriented but also service oriented. It could educate people,entertain people and broaden their vision. On Father&#8217;s Day, I salute my father for walking the talk and leaving behind a legacy for not just me but countless others to be inspired by.</p>
<p dir="ltr">**</p>
<p dir="ltr"><strong>Mukta Srinivas is a trained architect, mother, teacher and a keen observer of life and the human mind. </strong></p>
<p>&nbsp;</p>
<p dir="ltr">
]]></content:encoded>
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		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>A Life Skill Called Love</title>
		<link>http://unboxedwriters.com/2013/06/a-life-skill-called-love/</link>
		<comments>http://unboxedwriters.com/2013/06/a-life-skill-called-love/#comments</comments>
		<pubDate>Wed, 12 Jun 2013 03:25:55 +0000</pubDate>
		<dc:creator>Reema Moudgil</dc:creator>
				<category><![CDATA[Freefalling]]></category>
		<category><![CDATA[Jiah Khan]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[romance]]></category>
		<category><![CDATA[Rumi]]></category>

		<guid isPermaLink="false">http://unboxedwriters.com/?p=21731</guid>
		<description><![CDATA[&#8220;There is a sacred space between mindless surrender and cold logic.. I will meet you there. But wait, first I will meet myself. Because without me, there cannot be&#8230; you. &#8220; ** My take on Rumi and on his absolutely intoxicating philosophy of love that dissolves the walls of the self in the other and [...]]]></description>
				<content:encoded><![CDATA[<div><a href="http://unboxedwriters.com/wp-content/uploads/2013/06/2013-04-08-22.32.26-1.jpg"><img class="aligncenter  wp-image-22958" alt="2013-04-08 22.32.26-1" src="http://unboxedwriters.com/wp-content/uploads/2013/06/2013-04-08-22.32.26-1.jpg" width="352" height="352" /></a></div>
<div></div>
<div><em>&#8220;There is a sacred space between mindless surrender and cold logic..</em></div>
<div><em>I will meet you there.</em></div>
<div><em>But wait, first I will meet myself.</em></div>
<div><em>Because without me, there cannot be&#8230; you. &#8220;</em></div>
<div></div>
<div>**</div>
<div></div>
<div>My take on Rumi and on his absolutely intoxicating philosophy of love that dissolves the walls of the self in the other and becomes that which it longs for. Who doesn&#8217;t want that kind of love? The jury is out in the meanwhile on what love is all about. Having survived more than four decades of living, writing, thinking, this is what I have figured. Love is a verb. It is not what you say or hear or take for granted or presume. You live it, act it, to know what it means. Otherwise it is just an impersonal noun, cold around the edges.  Not songs though they make you feel they have cracked the mystery open. Not movies because they have neat beginnings, middles and ends and hardly any story in real life is like that. Though going to the movies together may qualify. Anything that you experience second hand is not love. It is just an illusion.</div>
<div></div>
<div>**</div>
<div>Reading Jia Khan&#8217;s six page letter about &#8220;love&#8221; made me wonder, if there is not something terribly wrong with this losing of the self in another especially when the other won&#8217;t even lose a night&#8217;s sleep over you. A young friend always asks me this, &#8220;What does love mean to you?&#8221; She is in her twenties. The question is of urgent importance to her.And her idea of love is that it must be taken at face value and jumped into heart first. So what if it is inconvenient. Impossible. Messy. The point I have arrived at is this. Real connections form despite fears, walls, distance, inconvenience and stacked odds. If they don&#8217;t, they are not real to start with.</div>
<div>
<div> **</div>
<div>Am not advocating being passive but I also know that if  there is a door with your name on it, it will open when you knock. Or not. It will open anyway. And will not be slammed shut.  I tell my friend often to not second guess someone&#8217;s indifference. Because if it was love, it would feel like love.  If you are treated like an option, you probably are so why waste your heart on someone who won&#8217;t spend a few minutes over a phone call?</div>
<div>**</div>
<div>I have learnt that if something is meant for me, it will find its way to me. Be it in work or life.  And this attitude is hard won. I have learnt through many challenges that most things we chase turn out to be of no value. What comes to us naturally and organically lasts because it came on its own without us fretting and fuming. I feel the same way about<em> Unboxed Writers</em>. I cannot market it and sell it and find money making ideas because that is not what I am good at, I know how to write. I will do that and I will connect with the world through that core strength and if opportunities come because of  that, great. If they don&#8217;t, I will still be a writer!</div>
<div> **</div>
<div>So yes, my definition of ambition is a bit off key. It is about being myself and the same goes for my life. It is not perfect but it is mine and if more gifts of success and maybe love, find their nook in this picture, great..if they don&#8217;t..I will keep trying to learn new things, celebrate little breakthroughs, remind myself to be grateful everyday</div>
<div>**</div>
<div>And maybe I will tell my young friend one day what I have finally learnt about love. That every kind of love begins with us..what we love about ourselves. Did Jia Khan love herself? Probably not. If she did, she would not have given so much and settled for so little or thrown away her life for someone who did not love her enough to make her feel loved.  As that love for the self increases, the chances are, we will find echoes of it in the world. Our lives will get more sorted, simpler. And it is the hardest thing to learn. To love oneself unconditionally, with flaws, cracks, shadows and laugh lines and frown lines and extra pounds. I am still a student in this area. When I finally master this life skill, love will make complete sense to me.</div>
<div></div>
<div><em>**Art by author</em></div>
<div></div>
<div>
<div><strong>Reema Moudgil has been writing for magazines and newspapers on art, cinema, issues, architecture and more since 1994, is an RJ, hosts a daily Ghazal show, runs unboxed writers, is the editor of Chicken Soup for The Indian Woman’s soul, the author of Perfect Eight (<a href="http://www.flipkart.com/perfect-eight-9380032870/p/itmdf87fpkhszfkb?pid=9789380032870&amp;_l=A0vO9n9FWsBsMJKAKw47rw--&amp;_r=dyRavyz2qKxOF7YucnhfXw--&amp;ref=4fe1efd1-de20-4a30-8eb8-ef81a99cb01f" target="_blank">http://www.flipkart.com/perfect-eight-9380032870/p/itmdf87fpkhszfkb?pid=9789380032870&amp;_l=A0vO9n9FWsBsMJKAKw47rw–&amp;_r=dyRavyz2qKxOF7Yuc</a> ) and an artist.</strong></div>
<div>
<p>&nbsp;</p>
</div>
</div>
</div>
<div class="betterrelated"><p><strong>If you like this, you might also like:</strong></p>
<ol><li> <a href="http://unboxedwriters.com/2013/05/again/" title="Permanent link to Again..">Again..</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/always/" title="Permanent link to Always..">Always..</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/09/almost-a-thought/" title="Permanent link to Almost A Thought..">Almost A Thought..</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/10/you/" title="Permanent link to You?">You?</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/09/maybe-it-is/" title="Permanent link to Maybe It Is..">Maybe It Is..</a>  </li>
</ol></div>]]></content:encoded>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Monsoon In Mumbai-4</title>
		<link>http://unboxedwriters.com/2013/06/monsoon-in-mumbai-4/</link>
		<comments>http://unboxedwriters.com/2013/06/monsoon-in-mumbai-4/#comments</comments>
		<pubDate>Wed, 12 Jun 2013 02:51:08 +0000</pubDate>
		<dc:creator>Mona Ambegaonkar</dc:creator>
				<category><![CDATA[Freefalling]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[courage]]></category>
		<category><![CDATA[hope]]></category>
		<category><![CDATA[Mona Ambegapnkar]]></category>
		<category><![CDATA[monsoon]]></category>
		<category><![CDATA[rains]]></category>

		<guid isPermaLink="false">http://unboxedwriters.com/?p=22953</guid>
		<description><![CDATA[Why is fear gnawing again On the tender extremities On aching feet that survey Each new beginning? Do these paths lead somewhere Or are they just scratches Self-inflicted, on dreams That had turned to ashes long ago? Drooping branches dangle Flexing damp fingers Glowing in the first light Of a wetly-web-like dawn Birds shelter in [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://unboxedwriters.com/wp-content/uploads/2013/06/images-10.jpg"><img class="aligncenter size-full wp-image-22955" alt="images (10)" src="http://unboxedwriters.com/wp-content/uploads/2013/06/images-10.jpg" width="284" height="177" /></a></p>
<p>Why is fear gnawing again<br />
On the tender extremities<br />
On aching feet that survey<br />
Each new beginning?</p>
<p>Do these paths lead somewhere<br />
Or are they just scratches<br />
Self-inflicted, on dreams<br />
That had turned to ashes long ago?</p>
<p>Drooping branches dangle<br />
Flexing damp fingers<br />
Glowing in the first light<br />
Of a wetly-web-like dawn</p>
<p>Birds shelter in my window<br />
Shaking the night&#8217;s rain<br />
Out of gleaming feathers<br />
A challenge in their eyes</p>
<p>Will you fly today, woman?<br />
Or will you simply sit and cry?<br />
Adding dampness to your soul<br />
Or will you fight again to reach that goal?</p>
<p>**</p>
<p><strong>Mona Ambegaonkar accidentally strayed into the entertainment industry and has been a model, editor, documentary producer and director, writer and award winning actor in theatre, TV and films. She is now working towards writing and directing her own films and is acting in TV soaps and films as well. She has devoted her time in watching life, hers and other people’s, has always taken at face value whatever she is told and has always asked and answered direct questions. From this springs the fodder that enriches all her work both on and off the screen. Recently, she has been touring the world with Ek Madhav Baug,  a play about alternate sexuality.</strong></p>
<div class="betterrelated"><p><strong>If you like this, you might also like:</strong></p>
<ol><li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-2/" title="Permanent link to Monsoon In Mumbai-2">Monsoon In Mumbai-2</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-3/" title="Permanent link to Monsoon In Mumbai-3">Monsoon In Mumbai-3</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-1/" title="Permanent link to Monsoon In Mumbai: 1">Monsoon In Mumbai: 1</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/lingering/" title="Permanent link to Lingering..">Lingering..</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/09/a-short-visit/" title="Permanent link to A Short Visit..">A Short Visit..</a>  </li>
</ol></div>]]></content:encoded>
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		</item>
		<item>
		<title>Monsoon In Mumbai-3</title>
		<link>http://unboxedwriters.com/2013/06/monsoon-in-mumbai-3/</link>
		<comments>http://unboxedwriters.com/2013/06/monsoon-in-mumbai-3/#comments</comments>
		<pubDate>Wed, 12 Jun 2013 02:23:06 +0000</pubDate>
		<dc:creator>Mona Ambegaonkar</dc:creator>
				<category><![CDATA[Freefalling]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[mona ambegaonkar]]></category>
		<category><![CDATA[monsoon in Mumbai]]></category>
		<category><![CDATA[rains in Mumbai]]></category>
		<category><![CDATA[traffic]]></category>

		<guid isPermaLink="false">http://unboxedwriters.com/?p=22933</guid>
		<description><![CDATA[&#160; Traffic..like a pack of cards&#8230; shuffling shuffling.. endlessly.. all hands dealt on a table of floating brown debris. ** &#160; Mona Ambegaonkar accidentally strayed into the entertainment industry and has been a model, editor, documentary producer and director, writer and award winning actor in theatre, TV and films. She is now working towards writing [...]]]></description>
				<content:encoded><![CDATA[<p>&nbsp;</p>
<p><a href="http://unboxedwriters.com/wp-content/uploads/2013/06/download.jpg"><img class="aligncenter size-full wp-image-22949" alt="download" src="http://unboxedwriters.com/wp-content/uploads/2013/06/download.jpg" width="259" height="194" /></a></p>
<p>Traffic..like a pack of cards&#8230;</p>
<p>shuffling shuffling..</p>
<p>endlessly..</p>
<p>all hands dealt</p>
<p>on a table</p>
<p>of floating brown debris.</p>
<p>**</p>
<p>&nbsp;</p>
<p><strong>Mona Ambegaonkar accidentally strayed into the entertainment industry and has been a model, editor, documentary producer and director, writer and award winning actor in theatre, TV and films. She is now working towards writing and directing her own films and is acting in TV soaps and films as well. She has devoted her time in watching life, hers and other people’s, has always taken at face value whatever she is told and has always asked and answered direct questions. From this springs the fodder that enriches all her work both on and off the screen. Recently, she has been touring the world with Ek Madhav Baug,  a play about alternate sexuality.</strong></p>
<p>&nbsp;</p>
<div></div>
<div></div>
<div class="betterrelated"><p><strong>If you like this, you might also like:</strong></p>
<ol><li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-2/" title="Permanent link to Monsoon In Mumbai-2">Monsoon In Mumbai-2</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-1/" title="Permanent link to Monsoon In Mumbai: 1">Monsoon In Mumbai: 1</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-4/" title="Permanent link to Monsoon In Mumbai-4">Monsoon In Mumbai-4</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/lingering/" title="Permanent link to Lingering..">Lingering..</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/09/a-short-visit/" title="Permanent link to A Short Visit..">A Short Visit..</a>  </li>
</ol></div>]]></content:encoded>
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		<title>Monsoon In Mumbai-2</title>
		<link>http://unboxedwriters.com/2013/06/monsoon-in-mumbai-2/</link>
		<comments>http://unboxedwriters.com/2013/06/monsoon-in-mumbai-2/#comments</comments>
		<pubDate>Wed, 12 Jun 2013 02:09:48 +0000</pubDate>
		<dc:creator>Mona Ambegaonkar</dc:creator>
				<category><![CDATA[Freefalling]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[mona ambegaonkar]]></category>
		<category><![CDATA[monsoon in Mumbai]]></category>
		<category><![CDATA[rains in Mumbai]]></category>

		<guid isPermaLink="false">http://unboxedwriters.com/?p=22936</guid>
		<description><![CDATA[And the heavens gush forth Roughly peeling away the Encrusted filth which Flows now, not in the Covered gutters but along paths that were supposed To take us to desired destinations. ** Mona Ambegaonkar accidentally strayed into the entertainment industry and has been a model, editor, documentary producer and director, writer and award winning actor [...]]]></description>
				<content:encoded><![CDATA[<div>
<div>
<div><a href="http://unboxedwriters.com/wp-content/uploads/2013/06/download-1.jpg"><img class="aligncenter size-full wp-image-22946" alt="download (1)" src="http://unboxedwriters.com/wp-content/uploads/2013/06/download-1.jpg" width="284" height="177" /></a></div>
<div></div>
<div>And the heavens gush forth<br />
Roughly peeling away the<br />
Encrusted filth which<br />
Flows now, not in the<br />
Covered gutters but along<br />
paths that were supposed<br />
To take us to desired destinations.</div>
<div></div>
<div>**</div>
<div></div>
<div><strong>Mona Ambegaonkar accidentally strayed into the entertainment industry and has been a model, editor, documentary producer and director, writer and award winning actor in theatre, TV and films. She is now working towards writing and directing her own films and is acting in TV soaps and films as well. She has devoted her time in watching life, hers and other people’s, has always taken at face value whatever she is told and has always asked and answered direct questions. From this springs the fodder that enriches all her work both on and off the screen. Recently, she has been touring the world with Ek Madhav Baug,  a play about alternate sexuality.</strong></div>
</div>
</div>
<div></div>
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<li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-1/" title="Permanent link to Monsoon In Mumbai: 1">Monsoon In Mumbai: 1</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-4/" title="Permanent link to Monsoon In Mumbai-4">Monsoon In Mumbai-4</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/lingering/" title="Permanent link to Lingering..">Lingering..</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/09/a-short-visit/" title="Permanent link to A Short Visit..">A Short Visit..</a>  </li>
</ol></div>]]></content:encoded>
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		<item>
		<title>Monsoon In Mumbai: 1</title>
		<link>http://unboxedwriters.com/2013/06/monsoon-in-mumbai-1/</link>
		<comments>http://unboxedwriters.com/2013/06/monsoon-in-mumbai-1/#comments</comments>
		<pubDate>Wed, 12 Jun 2013 01:50:02 +0000</pubDate>
		<dc:creator>Mona Ambegaonkar</dc:creator>
				<category><![CDATA[Freefalling]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[longing]]></category>
		<category><![CDATA[mona ambegaonkar]]></category>
		<category><![CDATA[monsoon in Mumbai]]></category>
		<category><![CDATA[Mumbai rains]]></category>

		<guid isPermaLink="false">http://unboxedwriters.com/?p=22938</guid>
		<description><![CDATA[It&#8217;s fantastic, this urge for Food, drink, love, sex, music All brought on by sheets of moisture, drops of rain Silly yearning, unknown pain Wet leaves, trembling trees Globes of water, suspended On the tips of foliage And those drunken roofs! It&#8217;s time to head into Nature It&#8217;s time for that cup of tea. &#160; [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://unboxedwriters.com/wp-content/uploads/2013/06/download-2.jpg"><img class="aligncenter size-full wp-image-22940" alt="download (2)" src="http://unboxedwriters.com/wp-content/uploads/2013/06/download-2.jpg" width="300" height="168" /></a></p>
<p>It&#8217;s fantastic, this urge for<br />
Food, drink, love, sex, music<br />
All brought on by sheets<br />
of moisture, drops of rain<br />
Silly yearning, unknown pain<br />
Wet leaves, trembling trees<br />
Globes of water, suspended<br />
On the tips of foliage<br />
And those drunken roofs!<br />
It&#8217;s time to head into Nature<br />
It&#8217;s time for that cup of tea.</p>
<p>&nbsp;</p>
<p>**</p>
<p>&nbsp;</p>
<p><strong>Mona Ambegaonkar accidentally strayed into the entertainment industry and has been a model, editor, documentary producer and director, writer and award winning actor in theatre, TV and films. She is now working towards writing and directing her own films and is acting in TV soaps and films as well. She has devoted her time in watching life, hers and other people’s, has always taken at face value whatever she is told and has always asked and answered direct questions. From this springs the fodder that enriches all her work both on and off the screen. Recently, she has been touring the world with Ek Madhav Baug,  a play about alternate sexuality.</strong></p>
<div class="betterrelated"><p><strong>If you like this, you might also like:</strong></p>
<ol><li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-3/" title="Permanent link to Monsoon In Mumbai-3">Monsoon In Mumbai-3</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-2/" title="Permanent link to Monsoon In Mumbai-2">Monsoon In Mumbai-2</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/monsoon-in-mumbai-4/" title="Permanent link to Monsoon In Mumbai-4">Monsoon In Mumbai-4</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/06/lingering/" title="Permanent link to Lingering..">Lingering..</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/09/a-short-visit/" title="Permanent link to A Short Visit..">A Short Visit..</a>  </li>
</ol></div>]]></content:encoded>
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		<title>A Lesson In Giving</title>
		<link>http://unboxedwriters.com/2013/06/a-lesson-in-giving/</link>
		<comments>http://unboxedwriters.com/2013/06/a-lesson-in-giving/#comments</comments>
		<pubDate>Sat, 08 Jun 2013 19:39:56 +0000</pubDate>
		<dc:creator>Mukta Srinivas</dc:creator>
				<category><![CDATA[Freefalling]]></category>
		<category><![CDATA[Gujarat earthquake]]></category>
		<category><![CDATA[helping hands]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[loss]]></category>
		<category><![CDATA[tragedy]]></category>

		<guid isPermaLink="false">http://unboxedwriters.com/?p=22915</guid>
		<description><![CDATA[January 26, 2001. We had all gathered at our school in Gujarat to celebrate our Republic day. The tricolour was unfurled followed by parade and performances. We all waited eagerly to know who was going to be awarded the best student of the year. It was a proud moment for me to hear my son’s [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center"><a href="http://unboxedwriters.com/wp-content/uploads/2013/06/images-9.jpg"><img class="aligncenter size-full wp-image-22917" alt="images (9)" src="http://unboxedwriters.com/wp-content/uploads/2013/06/images-9.jpg" width="263" height="191" /></a></p>
<p dir="ltr" style="text-align: center">
<p dir="ltr" style="text-align: left">January 26, 2001. We had all gathered at our school in Gujarat to celebrate our Republic day. The tricolour was unfurled followed by parade and performances. We all waited eagerly to know who was going to be awarded the best student of the year. It was a proud moment for me to hear my son’s name being announced! I was rejoicing over this achievement as a mother and a teacher too. Just then I observed the flag post sway a little. In no time the earth under my feet was kind of vibrating and the light poles were violently swaying. The students came running to me to ask, &#8220;eacher, teacher, what’s happening?&#8221; I said disbelievingly,&#8221;this must be an e a r t h q u a k e!” Soon along with other colleagues, I became busy calming and assuring the students outside. Common sense guided us to keep them away from the school building, just in case the building collapsed.</p>
<p dir="ltr" style="text-align: left">**</p>
<p dir="ltr">But there were students inside the school building too! Some were on the first floor and some in the ground floor classes, changing their costumes and waiting to be picked up by parents. I saw my son along with our PT teacher and a nun rushing into the school and carefully bringing the kids out. Without a concern for their safety they successfully brought all the kids out safely, much to the relief of the anxious parents. I was indeed extremely proud of my son.</p>
<p dir="ltr">**</p>
<p dir="ltr">After a few anxious moments, the situation was back to normal and we were ready to head back home. During the drive, we called my parents to inform them about the award and also mentioned the earthquake. Believe me, we were unaware of the extent of damage the earthquake had done in rest of Gujarat.</p>
<p dir="ltr">**</p>
<p dir="ltr">As we came closer to our locality we saw crowds gathered here and there, talking animatedly. Gradually all communication lines got cut off and television news revealed the deathly dance of the killer earthquake. We were just fortunate to be in a city where there was minimum damage. But slowly news of death, loss and chaos poured in from the neighbouring cities and the worst came from Kutch. Tragic news of death and destruction of lives known to us, school kids trapped under collapsed buildings, missing members of families and inaccessible cities. I felt so sad and helpless. Doom prevailed and as did guilt for being so safe and comfortable while all around  people were suffering!</p>
<p dir="ltr">**</p>
<p dir="ltr">Any amount of donations-money, clothes, blankets, food grains could not lift me from my depression. Appetite was dead long back. Though I would cook for my family, I could only see the faces of people in distress in my plate and I could not eat.</p>
<p dir="ltr">**</p>
<p dir="ltr">Some NGO had set up a centre for volunteers to cook and prepare food packets .They were to be sent to a place from where they would be air dropped to survivor, as all roads had collapsed. I joined my colleagues in making the food packets. I felt a little better. But still could not eat.</p>
<p dir="ltr">**</p>
<p dir="ltr">At home I was sharing with my kids, my experience of mass cooking and trucks carrying the food. I also mentioned that there was a major shortage of drinking water and fear of survivors dying out of thirst.</p>
<p dir="ltr">**</p>
<p dir="ltr">As always, my10-year-old daughter said she would be out in the neighbourhood to play for sometime. I was a little anxious when she did not return on the usual time. After a long time she returned with her young friends, all clutching bags full of used plastic bottles of Pepsi, Coke etc., They had collected hundreds of such bottles from the neighbourhood. She wanted to clean them, fill them with drinking water and send them to the earthquake hit places! I was speechless! She had called couple of her friends, knocked on every door in the neighbourhood and collected those bottles. A proud me helped her clean and sterilise the bottles and fill them up with drinking water. Loaded them in the car and reached them to the waiting trucks.</p>
<p dir="ltr">**</p>
<p dir="ltr">Needless to say, that after  many days I had a full meal and a restful night.</p>
<p dir="ltr">**</p>
<div><strong>Mukta Srinivas is a trained architect, mother, teacher and a keen observer of life and the human mind. </strong></div>
<div></div>
]]></content:encoded>
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		<title>Longing For The Wonder Years</title>
		<link>http://unboxedwriters.com/2013/06/longing-for-the-wonder-years/</link>
		<comments>http://unboxedwriters.com/2013/06/longing-for-the-wonder-years/#comments</comments>
		<pubDate>Sat, 08 Jun 2013 19:17:33 +0000</pubDate>
		<dc:creator>Reema Moudgil</dc:creator>
				<category><![CDATA[Cinema/ TV]]></category>
		<category><![CDATA[Don]]></category>
		<category><![CDATA[Doordarshan]]></category>
		<category><![CDATA[hindi films]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nostalgia]]></category>
		<category><![CDATA[Once Upon A Time In Mumbai]]></category>
		<category><![CDATA[rd burman]]></category>
		<category><![CDATA[sholay]]></category>

		<guid isPermaLink="false">http://unboxedwriters.com/?p=22919</guid>
		<description><![CDATA[When the  sixties swung into the seventies to the beat of RD Burman&#8217;s Spanish guitar and Amitabh Bachchan&#8217;s angst, in retrospect, it was the end of the happy endings in Hindi cinema. 20 years into independence, the political reality of India had become far more complex, dark and divisive to allow films to be set on house boats, shikaras, [...]]]></description>
				<content:encoded><![CDATA[<div style="text-align: center"><a href="http://unboxedwriters.com/wp-content/uploads/2013/06/Sholay-1.jpg"><img class="aligncenter  wp-image-22922" alt="Sholay" src="http://unboxedwriters.com/wp-content/uploads/2013/06/Sholay-1.jpg" width="304" height="498" /></a></div>
<div style="text-align: center"></div>
<div style="text-align: left">When the  sixties swung into the seventies to the beat of RD Burman&#8217;s Spanish guitar and Amitabh Bachchan&#8217;s angst, in retrospect, it was the end of the happy endings in Hindi cinema. 20 years into independence, the political reality of India had become far more complex, dark and divisive to allow films to be set on house boats, <em>shikaras</em>, hill stations amid perpetually singing and dancing `extras.&#8217;</div>
<div>**</div>
<div>The sunshine turned occasionally grey and the guitar strumming hero was now an iconic dock coolie, a smuggler, a thief, an angry police inspector but as Shah Rukh Khan observed while revisiting <em>Don</em>, there was a certain innocence about evil, then. It was not the evil we see in films like <em>A Wednesday</em> or <em>Black Friday</em>.</div>
<div>**</div>
<div>When director Milan Lutheria recreated the seventies in <em>Once Upon a Time in Mumbai</em> and revisited the Haji Mastan and Dawood lore and dressed Prachi Desai in Bobby&#8217;s knotted blouse and mini skirt, it was  time to look back and wonder.  And to ask if nostalgia is ever about what is lost around us? Or is it about what we have lost within us? Our capacity for innocence. Our passion for life. Our sense of connection with the reality around us.</div>
<div>**</div>
<div>Romantic, revolutionary Urdu poet Majaaz once lamented, &#8220;<em>Woh gudaaz-e-dil-e-marhoom kahan se laaoon..ab mein wo jazba-e-masoom kahan se laaoon</em> (How do I kindle the tenderness of my heart? Where do I find the innocence lost forever?).  He was born in 1909 but is still emblematic of  every one who has ever mourned the loss of  something as intangible and fragile as a sense of youth.</div>
<div>The transition from the seventies and eighties to now has been even more brutal.</div>
<div>**<br />
In a recent art exhibition curated by Shaheen Merali, Chennai-based artist Parvathy Nayar juxtaposed iconic and simplistic imagery of romance from classics such as <em>Awara</em> and South-Indian mythological films with startling graphic representation of an egg and a sperm. This shift from poetry to biology, from <em>Devdas</em> to <em>Dev D</em> has befuddled a certain generation that has had to grow up in a world where landmark memories of  sights, sounds, smells of  personal significance have been erased and replaced by unfamiliar reference points suddenly and with as much finality as Doordarshan was erased by satellite TV from our memory.</div>
<div>**</div>
<div>Today, there is a collective craning of necks to look wistfully at the 70s and the 80s, the last clutch of so called wonder years when friends were real and not virtual.  Reality TV had not taken over reality. Neighbourhood banter  had not yet been replaced by social networking sites and points of view had not been condensed to tweets. Hard bound digests of Amar Chitra Katha, Indrajal comics, Nandan, Champak and Lotpot were read avidly. Mohammed Rafi, Kishore Kumar and RD Burman were alive. Films ran for 25 weeks and the term pan-Indian hit was not needed because when a film worked, it worked across all divides.</div>
<div>**</div>
<div>When we identified more with Manmohan Desai&#8217;s <em>Amar Akbar Anthony</em> than with Tarantino&#8217;s <em>Inglorious Basterds</em>. When Ramesh Sippy triumphantly turned Akira Kurosawa&#8217;s <em>Seven Samurai</em> into Jai and Veeru and stirred Bhelpuri aesthetics and the swagger of a spaghetti Western into <em>Sholay.</em></div>
<div>**<br />
A time when film songs, radio and TV jingles could be hummed from beginning to end because they connected with us.</div>
<div>This nostalgia for larger-than-life heroes and villains, street smart dialogues, trend setting clothes and  unforgettable back ground music composed by the likes of Kalyan Ji Anand Ji <em>(Don</em>), Laxmikant Pyarelal (<em>Karz</em>) and RD Burman (<em>Sholay</em>) has also inspired Farhan Akhtar&#8217;s<em> Don</em> and Farah Khan&#8217;s <em>Om Shanti Om. </em></div>
<div>**<br />
Advertisements are popping up to flaunt candy colours, white shoes and bouffants. Songs like, &#8220;<em>Din hai suhana aaj pehli taarikh hai&#8221;</em> recall Indian cinema&#8217;s uncomplicated, joy saturated narratives. The fact that just over 20 years ago, families were happy watching just one movie a week, two chitrahaars, just one news purveyor seems almost unimaginable. Architect Kavya Thimaaiah Prasanna recalls,&#8220;I miss the times when everyone watched the same shows on TV and then discussed the same movies, ads or news. Such simple times!&#8221;</div>
<div>**</div>
<div>An email being forwarded relentlessly by the lost teenagers of the eighties recalls the abundance of three ice-cream flavours, prized Fiats or an Ambassador with hand sewn lace curtains on the windows, HMT watches, the morning music of All India Radio, Sunday gatherings depending on who had the colour TV in the neighbourhood, Salma Sultan&#8217;s lone rose and just the hint of a smile, the plastic covers that covered TV, fridge and a `mixi&#8217; and Nazia Hassan,  the lone voice of teen longings.  Asma, a Chennai based writer and social activist says, &#8220;An evening powercut was always welcome because it meant time away from homework and more time in the playground.Each time you went to a film with your family, you would narrate, even enact the story to your friends who hadn&#8217;t seen it. Every kid died like Amitabh in <em>Sholay</em>, atleast once! And treats (like Mangola) had to be earned.&#8221;</div>
<div>**</div>
<div>For Asma,  those years have indelible recall value as she rattles off jingles and brands that no longer are heard or seen. She also recalls, &#8220;<em>Hawa Mahal</em>, Binaca <em>Geet Mala</em>,<em> Bhule Bisre Geet</em>, <em>Vishesh Jaimala</em>!&#8221;  But artist Parvathy Nayar smiles at the deluge of sentiment for the lost decades and says, &#8220;Those decades had their own issues..nostalgia makes us remember only fragments that we are comfortable with.&#8221;</div>
<div>**</div>
<div>Curater Shaheen Merali believes that the voice of diversity is always a welcome thing. He says, &#8220;There was an imposition of homogeneity through television which is no longer there now. Now we have news in every Indian language. The media is beginning to display urgency with local, regional issues which was never there earlier. Yes, we miss those times perhaps because now we are over consuming everything.  We aspire for an apartment and multiple helpers around the house and excess has become basic.Trees have given away to roads. Pollution is a reality. As are the cracks in Hampi&#8217;s architecture.&#8221; But he conveys, the past is never perfect. Our perception makes it so.</div>
<div>**<br />
Clare Arni, photographer and chronicler of rivers, vanishing professions, old architecture and lost decades however often browses the old curiosity shops in Bangalore&#8217;s markets and collects vintage film posters and redundant objects of street kitsch.</div>
<div>She says, &#8220;The detailing, the depth of light and shadows in the posters of the past speak of a passion for detail and a romance that is missing now.&#8221;</div>
<div>**<br />
It is hard to say if the past was better but it was different and we were different too.  Perhaps regret always underscores change. Perhaps a few decades from now, another generation will be looking back in wonder and feeling with a pang, the loss of their youth and the homelessness of their memories.</div>
<div>**</div>
<div><em>**The above story was carried in the sunday edition of Deccan Herald</em></div>
<div></div>
<div><strong>Reema Moudgil has been writing for magazines and newspapers on art, cinema, issues, architecture and more since 1994, is an RJ, hosts a daily Ghazal show, runs unboxed writers, is the editor of Chicken Soup for The Indian Woman’s soul, the author of Perfect Eight (<a href="http://www.flipkart.com/perfect-eight-9380032870/p/itmdf87fpkhszfkb?pid=9789380032870&amp;_l=A0vO9n9FWsBsMJKAKw47rw--&amp;_r=dyRavyz2qKxOF7YucnhfXw--&amp;ref=4fe1efd1-de20-4a30-8eb8-ef81a99cb01f" target="_blank">http://www.flipkart.com/perfect-eight-9380032870/p/itmdf87fpkhszfkb?pid=9789380032870&amp;_l=A0vO9n9FWsBsMJKAKw47rw–&amp;_r=dyRavyz2qKxOF7Yuc</a> ) and an artist.</strong></div>
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		<title>On Living And Dying&#8230;</title>
		<link>http://unboxedwriters.com/2013/06/on-living-and-dying/</link>
		<comments>http://unboxedwriters.com/2013/06/on-living-and-dying/#comments</comments>
		<pubDate>Sat, 08 Jun 2013 16:59:00 +0000</pubDate>
		<dc:creator>Ishita Das</dc:creator>
				<category><![CDATA[Cinema/ TV]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Divya Bharti]]></category>
		<category><![CDATA[Jia Khan]]></category>
		<category><![CDATA[nafisa joseph]]></category>

		<guid isPermaLink="false">http://unboxedwriters.com/?p=22902</guid>
		<description><![CDATA[&#160; Are  women more sensitive, more prone to need extraneous approval for self esteem because there certainly seem to be some types of work that make women prone to being depressed and suicidal. There are endless biological reasons related to hormones that make us more vulnerable at different periods of time.   Men use other resorts [...]]]></description>
				<content:encoded><![CDATA[<p>&nbsp;</p>
<p style="text-align: center"><a href="http://unboxedwriters.com/wp-content/uploads/2013/06/divya_bharti.jpg"><img class="aligncenter  wp-image-22904" alt="divya_bharti" src="http://unboxedwriters.com/wp-content/uploads/2013/06/divya_bharti.jpg" width="384" height="288" /></a></p>
<p>Are  women more sensitive, more prone to need extraneous approval for self esteem because there certainly seem to be some types of work that make women prone to being depressed and suicidal.</p>
<p>There are endless biological reasons related to hormones that make us more vulnerable at different periods of time.   Men use other resorts like drugs and alcohol to get over the pain. And of course violence. However,  suicide is also technically a very violent act, towards one self. No dearth of women drug abusers or alcoholics either.</p>
<p>But if women can survive being in politics, Sonia Gandhi, Mayawati, Jayalalitha, Sushma Swaraj and so on, possibly one of the least favorable environments for the delicate sensitivities, why is it harder to survive the entertainment business? The recent suicide of Nafisa (Jiah) Khan, a young Bollywood actress (25 years) , who acted in about three movies, sent me back into introspection and the differences in profession and how the male or female brains handle them. I remembered P.D. James being warned against being a police detective, homicide, as it was an ‘Unsuitable job for a woman’, she said in an essay with that title. However, from what I know, men and women swoon and throw up at the sight of dead bodies, in medical school and probably in crime sites.</p>
<p>Art comes with its own hang ups- lack of appreciation can kill the art and the artist. Whereas in politics, the drive is not particularly appreciation, it is power. Hence, the people who choose it are either born into it or choose it after long, careful strategic moves that need intense planning. They may be more prepared for the onslaught  that follows, hence better fortified against it. Public figures, in politics and entertainment, expect their dirty laundry to be hung out for people to see. Doctors probably understand they can contract anything infectious from patients, occupational hazards are often known before hand (unless it is a side effect of some chemical or production component).</p>
<p>I kept coming back to this need of being wanted and liked, and for people choosing the entertainment business, of being famous. That seems a more feminine trait, that of being needed and liked, or am I being biased?</p>
<p>Perhaps it is the unpreparedness for fame or shame or even worse of indifference and oblivion, that leads to suicides, in show business. The final attempt to attract attention, or the only decisive way of giving up. A Miss India winner and VJ, Nafisa Joseph, also committed suicide. She was also a Miss Universe runner up, had anchored several MTV shows and seemed intelligent and cogent. She had relationship problems, but then, who doesn’t? Ask any victim of domestic violence. How do they find the will to live? In all other accounts  both these beautiful young women had a lot going on for them. They thought otherwise, of course.</p>
<p>When I compare victims of ongoing domestic violence and the young actresses who committed suicide, no one can tell from outside who is having a harder time or feeling more lonely.</p>
<p>In India, the young find ever more reasons to die, so many high school students commit suicide because of not doing well in an exam. The countless farmers who have died at their own hands reveal the harshness of the economic tragedies that push people over the edge.</p>
<p>The end of hope is real for many people, regardless of profession. Whenever I look at all the child artists, I feel anxiety and fear for their future well being, I don’t know of many who survived through that stage of being in the limelight, into being well rounded human beings with a realistic view of life. Hollywood is full of such stories, be it Fred Savage, or Macaulay Culkin or Britney Spears.  There is a reason it is called show business, it is open to criticism, and one has to be inured to that.Tabloids and entertainment magazines are known to be rumor mongers and change their mind pretty quickly.</p>
<p>Growing up and making something of yourself is very stressful, for everyone. Acceptance of what you have and contentment are even harder to achieve, but without them whatever you achieve will be meaningless. Even an Oscar. Whatever wills the purpose or goal of a life, maybe fate or DNA or upbringing, life is more than a goal or should be. Families can cause and prevent serious depression and are  relationship issues not what drive a lot of people to suicide? I don’t know what an ideal support system for people would be, because anything that can make you can also break you into pieces, but I do believe the following poem by Rudyard Kipling says it very well, because in the end, it is you and about you. That’s not being selfish, because even people who live to help others only do it because they like it and are able to do so.</p>
<p>I also believe that’s where writers, poets and philosophers come into our lives, because they can fill the void others have left in us. ( some use religion as well, I am not a proponent but it does have its uses). It does in fact, hold true for both the types of brains.. male and female. Unfortunately, this poem and those thinkers are only for people who survive being young and ambitious and have not witnessed their own children starving, with loan sharks threatening their only source of livelihood. That is the burden for society, for us all.</p>
<p><em>If, by Rudyard Kipling</em></p>
<h2>If</h2>
<div>
<div>
<p>If you can keep your head when all about you<br />
Are losing theirs and blaming it on you;<br />
If you can trust yourself when all men doubt you,<br />
But make allowance for their doubting too:<br />
If you can wait and not be tired by waiting,<br />
Or, being lied about, don’t deal in lies,<br />
Or being hated don’t give way to hating,<br />
And yet don’t look too good, nor talk too wise;</p>
<p>If you can dream—and not make dreams your master;<br />
If you can think—and not make thoughts your aim,<br />
If you can meet with Triumph and Disaster<br />
And treat those two impostors just the same:.<br />
If you can bear to hear the truth you’ve spoken<br />
Twisted by knaves to make a trap for fools,<br />
Or watch the things you gave your life to, broken,<br />
And stoop and build’em up with worn-out tools;</p>
<p><strong>If you can make one heap of all your winnings</strong><br />
<strong>And risk it on one turn of pitch-and-toss,</strong><br />
<strong>And lose, and start again at your beginnings,</strong><br />
<strong>And never breathe a word about your loss:</strong><br />
If you can force your heart and nerve and sinew<br />
To serve your turn long after they are gone,<br />
And so hold on when there is nothing in you<br />
Except the Will which says to them: “Hold on!”</p>
<p>If you can talk with crowds and keep your virtue,<br />
Or walk with Kings—nor lose the common touch,<br />
If neither foes nor loving friends can hurt you,<br />
If all men count with you, but none too much:<br />
If you can fill the unforgiving minute<br />
With sixty seconds’ worth of distance run,<br />
Yours is the Earth and everything that’s in it,<br />
And—which is more—you’ll be a Man, my son!  ( or a woman! )</p>
</div>
<div><strong>Ishita Das is a  neuroscientist by training and recently graduated with a PhD from Johns Hopkins University, Maryland. And now, would like to write about things that make people  think or feel something and in the process perhaps learn to understand the different shades of life. She continues to work with a group trying to make Autism more accessible to scientists and the public. She also contributes to a science and environment magazine.</strong></div>
</div>
<div class="betterrelated"><p><strong>If you like this, you might also like:</strong></p>
<ol><li> <a href="http://unboxedwriters.com/2013/06/jiah-khan-a-short-story/" title="Permanent link to Jiah Khan: A Short Story">Jiah Khan: A Short Story</a>  </li>
<li> <a href="http://unboxedwriters.com/2013/02/the-greatest-evil-of-all/" title="Permanent link to The Greatest Evil Of All..">The Greatest Evil Of All..</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/06/memories-of-gold-and-dross-cinema-and-tv-part-2/" title="Permanent link to Memories Of Gold And Dross: Cinema And TV-Part 2">Memories Of Gold And Dross: Cinema And TV-Part 2</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/06/memories-of-gold-and-dross-tv-and-cinema-part-1/" title="Permanent link to Memories Of Gold And Dross: TV And Cinema-Part 1">Memories Of Gold And Dross: TV And Cinema-Part 1</a>  </li>
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		<title>Jiah Khan: A Short Story</title>
		<link>http://unboxedwriters.com/2013/06/jiah-khan-a-short-story/</link>
		<comments>http://unboxedwriters.com/2013/06/jiah-khan-a-short-story/#comments</comments>
		<pubDate>Tue, 04 Jun 2013 05:07:22 +0000</pubDate>
		<dc:creator>Reema Moudgil</dc:creator>
				<category><![CDATA[Cinema/ TV]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[Ghajini]]></category>
		<category><![CDATA[Jiah Khan]]></category>
		<category><![CDATA[nishabd]]></category>
		<category><![CDATA[suicide]]></category>

		<guid isPermaLink="false">http://unboxedwriters.com/?p=22889</guid>
		<description><![CDATA[Ordinary life is hard enough to manage. How much harder would fame be? Too much of it? Too little of it? What must it be like to be watched constantly, measured, estimated, valued for what is visible in you? To smile at hundreds of cameras and then come home to maybe an imperfect life that [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center"><a href="http://unboxedwriters.com/wp-content/uploads/2013/06/jiah-khan1.jpg"><img class="aligncenter size-full wp-image-22891" alt="jiah-khan1" src="http://unboxedwriters.com/wp-content/uploads/2013/06/jiah-khan1.jpg" width="279" height="273" /></a></p>
<p style="text-align: left">Ordinary life is hard enough to manage. How much harder would fame be? Too much of it? Too little of it? What must it be like to be watched constantly, measured, estimated, valued for what is visible in you? To smile at hundreds of cameras and then come home to maybe an imperfect life that cannot be fixed by the number of autographs you signed?</p>
<p style="text-align: left">**</p>
<div> Whether you are famous or not, each day is a call to find the missing pieces of your life. To make more money, find more peace perhaps, fix the broken things around the house, within yourself, repair relationships, find more meaning, more fulfilment. It is always about what we need, what we want, what is still not found and so we go on from day to day, looking for something that grows more and more elusive each day. Taking stock is hard, being still is hard, feeling that you are enough is hard. Though really, if all of us were to sit each morning for five minutes and say &#8216;thank you&#8217; for all that we already have, we would realise, how perfect the picture is, despite the frayed edges.</div>
<div></div>
<div>**</div>
<div></div>
<div>It is very simple, like a Hrishikesh  Mukherjee character would say, to be happy but very hard to be simple. Most of us however get a chance every day to try again, be better, simplify our lives but for someone who has fame or has issues with it, this daily work cannot be easy.</div>
<div></div>
<div>**</div>
<div></div>
<div>I saw Jiah Khan around the release of <em>Ghajini</em> in Bangalore many years ago. I was writing for a city magazine and was told she would be at a mobile store (if I remember correctly) for a photo op. She was the precocious new face of the season after<em> Nishabd</em> where she had been objectified mercilessly into a celluloid fantasy as that timeless Lolita who drives an older man out of his senses. It was a terrible film and not the kind of a launch an aspiring young actor looking for a long career in films would have taken up but Jiah had no backing in the industry. Her mother too had ambitions to be a film actor and if memory serves me right, had played a small cameo in the Nana Patekar starrer<em> Ankush</em>. Without the security blanket of a film dynasty or a network of supportive friends, this industry can be a cold, unforgiving place but this little girl was trying hard.</div>
<div></div>
<div>**</div>
<div></div>
<div>And so she arrived in the store in a flowered dress and the photographers went berserk. It was almost as if the cameras were devouring her and she.. painfully young though she was, seemed to be enjoying it all.The white heat of being at the centre of attention. She posed and preened like a star, her long limbs and tumbling tresses perfect from every angle. Things should have gone well from there. She had by now worked with two of the biggest stars in the industry, Aamir Khan and Amitabh Bachchan and a few years later would be part of a heavy duty ensemble in a Sajid Khan pot boiler but who knows, what she felt within. I remember writing about Nafisa Joseph after she died and it was shocking that none of her friends in Bangalore knew just how close she was to ending everything. Nafisa after her Miss India win had come to the Times of India office and speaking to her had been a delight. She was articulate, intelligent, grounded and not in awe of her new-found fame. And yet, the quest for personal and professional fulfilment in Mumbai sent her over the edge, one dark night. Just as it did, Jiah Khan.</div>
<div></div>
<div>**</div>
<div>So much is written about film stars. Their successes, failures. They are jeered at for their wardrobe malfunctions. Compared to their peers and rated like they were commodities, not real people. The truth is however that fame does not make anything easy. It gives opportunities and applause and money but it cannot counsel or console or hold your hand. And like an opportunistic friend, it does not look behind even once, when it leaves. The fact is, famous or ordinary,  sometimes we all forget just how vulnerable we are. Just how breakable, just how prone to hurt and lasting pain and depression that won&#8217;t leave. It is during these times, whether we are being chased by demons or are chasing them, that we need to remember what an absolute privilege it is to be alive. To have faculties that work, to have loved ones who will respond if we call for help in a crisis, to well-wishers who will pick up the phone when we dial their number in distress, to have an unopened gift called, the future, to have potential and possibilities and hope. To know that no matter what, if we know just how special, blessed and loved we are (and we always are), things can get better.</div>
<div></div>
<div>**</div>
<div></div>
<div>Yes, life is tough and bruising but it is gentle too, when we stop to count our blessings and open the window every morning because we know, no matter what, there will be sunlight and the promise of a new day, a new life, and most importantly, a new perspective.</div>
<div></div>
<div>**</div>
<div></div>
<div>Rest in peace, little Jiah. I wish, you had the patience to give yourself enough time to see just what a beautiful woman you were growing into. And just how many gifts life had in store for you, still, regardless of what had been taken from you.  I wish you had  lived your story long enough to find a happy ending.</div>
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<ol><li> <a href="http://unboxedwriters.com/2013/06/on-living-and-dying/" title="Permanent link to On Living And Dying&#8230;">On Living And Dying&#8230;</a>  </li>
<li> <a href="http://unboxedwriters.com/2012/04/the-truth-according-to-aamir-khan/" title="Permanent link to The Truth According To Aamir Khan">The Truth According To Aamir Khan</a>  </li>
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